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Hexagram 50, The Caldron: Wind below, Fire above

Hexagram 50

The Caldron

Dǐng

☲ Fire above, ☴ Wind below

Wind below fire: like wood steadily feeding the flame, the gentle force carries the light, and out of that interplay arises the art of preparing and refining.

The JudgmentThe caldron: exalted good fortune, success. The highest sign of culture: the vessel in which the raw is cooked and the cooked is offered. Give your life the right form and dedicate the best to what rises above you, and you find lasting happiness.

The ImageFire above wood: the image of the caldron. Thus the noble one makes his fate firm by setting his position right. The flame burns steadily because the wood lies well: so a life rests on the rightness of its place. Standing straight where you belong, you need not fear your fate; you feed it.

InterpretationThe well gives the raw water of nature; the caldron turns it into food: culture, refinement and devotion. It appears when something in you or around you wants to take form: talent that wants to become a craft, an idea that wants to become a work, a house that wants to become a home. The instruction is that of the cook and the priest at once: take your best ingredients (not your leftovers), prepare them with care, and dedicate the result to something greater than your own hunger: a community, a craft, a generation after you. And note the Image: the fire burns well when the position is right. Much unrest in a life is misalignment: the wrong place, the wrong role. Set the pot upright, and the cooking improves by itself.

Place in the sequenceNo tool transforms things as thoroughly as the pot, which makes food of what was raw. Therefore sign 49, Revolution, is followed by the caldron. It forms a pair with 49 · Revolution.

Nuclear hexagram

The nuclear hexagram of The Caldron is 43 · Break-through: Break-through: the last evil yields not to weapons but to openness; name it truthfully and see the ending through. It is formed from the inner lines and shows the hidden core of the situation.

The six lines

These texts belong to changing lines in a reading, from the bottom up.

Six at the beginning

A caldron with upturned legs:

favorable for letting out what is stuck. A concubine is taken for the sake of her son: no blame. The pot upside down: what looks like a disgrace is the beginning of cleansing, for this is how the old spoilage falls out. An unusual or humble beginning also serves the new, just as the concubine finds honor through her son: what counts is what it brings forth. Do not be ashamed of the upside-down phase of a new beginning: emptying belongs to filling, and strange roads sometimes bear the best fruit.

Nine in the second place

There is food in the caldron.

My companions are envious, but they cannot harm me: good fortune. There is real food in your pot: achievement, substance, something that genuinely matters. And so envy comes, for it follows substance like a shadow. The protection is not attack but concentration: stay with your work, give the envy no stage and no answer. Envy finds no grip on someone who simply keeps cooking; it starves for lack of response. Your food is your defense.

Nine in the third place

The handle of the caldron is altered.

One is hindered in one's walk; the fat of the pheasant goes uneaten. When rain finally falls, remorse vanishes: in the end good fortune comes. The pot is full but the handle is broken: your worth is there, yet no one can pick it up; you are passed over while the best in you stays untouched. That is bitter, and it is a phase: work on the handle (make yourself known, findable, usable) and keep the fat warm. The rain will come: the tension breaks, someone tastes after all, and the waiting turns out to have been ripening.

Nine in the fourth place

The legs of the caldron break; the prince's meal is spilled and his figure is soiled:

misfortune. The pot was loaded too heavily for its legs: a task accepted beyond your capacity, and leaning on the wrong helpers besides. Now the meal lies on the ground, in public. The lesson is hard but clear: know what you can carry before you accept the prince's commission, and choose your people for competence, not for chemistry. A declined task is a moment of embarrassment; a broken pot is a reputation.

Six in the fifth placeruling line

The caldron has yellow handles and golden carrying rings:

perseverance brings reward. The pot at its best: reachable and precious at once, with yellow handles (the middle: approachable, without airs) and golden rings (the noble: pure, reliable). This is how you get carried and lifted: be easy to pick up and precious to hold. Accessibility without substance is popular and empty; substance without accessibility is a closed pot. The combination, and perseverance in it, makes you the instrument the times reach for.

Nine at the topruling line

The caldron has rings of jade:

great good fortune, nothing that does not further. Above gold stands jade: hard as stone and soft in its luster, strength and mildness in one material. So ends the sign of culture: in the wise person who stays firm in the matter and gentle in dealing with others, unbending at the core and warm to the touch. Approach that union, and you are carried without wearing down and used without running out. It is the farthest goal of all cultivation: character like jade.

Further reading